| Plate I. |
At the Central Market-place, Paramaribo |
Frontispiece Facing page |
| Plate II. |
A Koto-mɩsi |
4 |
| Plate III. |
Koto-mɩsi; the famiri |
5 |
| Plate IV. |
A market-scene in Paramaribo |
12 |
| Plate V. |
Negro and Hindu women in the Market |
13 |
| Plate VI. |
Head-kerchief, front view |
16 |
| Plate VII. |
Name of pattern; Maka sneki; name of tying; Boto hɛdɛ |
17 |
| Plate VIII. |
Name of pattern: Yu ką loi̯ yu dyįdyį lei̯ki fa yu wąʾ, mi no dɛ yɛre yu; name of tying: Yu ką wai̯ yu wɩnti lɔntu foto, ma mi no sa drai̯ baka |
26 |
| Plate IX. |
Name of pattern: Doti wagi dɛ tyari doti, ma a no dɛ tyari syɛm (Proverb No. 89); name of tying: Trɔbi |
27 |
| Plate X. |
Name of pattern: Sui̯ti fō mi smeri, meki mi gudu lasi ɛ̨ŋ hoso pasi (Proverb No. 97); name of tying: Motyo-'ɛdɛ |
34 |
| Plate XI. |
Advertisement for a new style of kerchief |
35 |
| Plate XII. |
A compound yard |
48 |
| Plate XIII. |
Another view inside the compound yard shown in Plate XII |
49 |
| Plate XIV. |
Men from Town and Bush |
82 |
| Plate XV. |
Writing produced under a state of possession by Wɩnti; normal handwriting of the same individual |
83 |
| Plate XVI. |
The Wɩnti drums |
90 |
| Plate XVII. |
A compound with benches arranged for a wɩnti dance |
96 |
| Plate XVIII. |
Within a compound; children at the entrance to a house |
97 |
| Plate XIX. |
Left to right: Bush-Negro (Saramacca) Apinti drum, Haitian Voodoo-cult drum, Bush-Negro (Djuka) Apinti drum |
492 |
| Plate XX. |
Town-Negro Apinti drum |
500 |
| Plate XXI. |
Town-Negro Podya drum |
501 |
| Plate XXII. |
Town-Negro Mąn-drɔ̨ |
510 |
| Plate XXIII. |
Town-Negro Agida and Ląŋga-drɔ̨ |
511 |
| Plate XXIV. |
Town-Negro Agida drum |
514 |
| Plate XXV. |
A Bush-Negro Agida drum |
515 |
| Plate XXVI. |
A Bush-Negro Tumao drum (Hamburg Museum No. 30.51:76) |
522 |
| Plate XXVII. |
Detail of attachment of drum-head, Bush-Negro Tumao drum |
523 |
Auteursrecht onbekend