Suriname folk-lore

[p. 707]

I. Analyses of tonal structure

[p. 709]

1. Suriname Bush.¹

1 See above, p. 493, for explanation of the symbols employed in these analyses. The number underneath each bar is, in every case, that of the song analysed.

a) Penta type.²

Penta-do Mode.

2 See above, pp. 501-502.

[p. 710]

Penta-sol Mode.

Penta-re Mode.

[p. 711]

Penta-la Mode.

Penta-re-mi Mode.

Penta-sol-mi Mode.

b) Hexa type.¹

Hexa-do Mode.

1 See above, pp. 503-505.

[p. 712]

Hexa-sol Mode.

[p. 713]

Hexa-re Mode.

[p. 714]

Hexa-la Mode.

Hexa-mi Mode.

[p. 715]

Hexa-si Mode.

Hexa-la-si Mode.

Hexa-(do)-si Mode.

c) hepta type.¹

Hepta-do Mode.

1 See above, pp. 505-506.

[p. 716]

[vervolg]

[p. 717]

Hepta-do-sol Mode.

Hepta-sol Mode.

[p. 718]

[vervolg]

[p. 719]

[vervolg]

[p. 720]

Hepta-sol-re Mode.

Hepta-re Mode.

[p. 721]

Hepta-la Mode.

[p. 722]

Hepta-mi Mode.

Hepta-si Mode.