Agonistes. He could not even agree with the Nicene Creed; and had decidedly Arian principles.
In his views of the origin of things he is influenced by Renaissance Neo-Platonism and Pantheism (see e.g. the chapter on Creation in De Doctrina Christiana). But matter is ‘intrinsically good, and the chief productive stock of every subsequent good.’ There is no essential difference between spirit and matter, between soul and body. So it is but natural that Milton denies the immortality of the soul (in this Milton disagrees with his older contemporary Descartes, with whom he agrees in laying much stress on reason as the guiding principle of man). Body and soul die together and in the day of resurrection they rise together again. Milton was a Mortalist or ‘Soulsleeper’.
In his definition of man ‘a body or substance individual, animated, sensitive and rational’, Milton uses the same words as another older contemporary of his, John Hobbes, the great prophet of Materialism. In his cosmological conceptions and their consequences Milton got on materialistic lines, though he started from a purely Theistic spiritualism and treated matter only as something secondary.
He denied the doctrine of predestination and recognized (to a certain extent) free will in man. In the question of the perseverance of man in grace he took sides with the Arminians.
In his views of baptism Milton was a Baptist; by setting, in practice, more value on the ‘inner light’ than on Scripture (though he declares to accept only the lead of the latter) and also by rejecting a regular clergy, he joins hands with the Quakers; in his looking forward to the Millennium he proves himself a Millenarian; in his notions of church-rule he is more independent than the Independents, more individualistic than the greatest Individualists.
In a word: there is only one suitable name for his philosophy: Miltonism; it has one adherent: John Milton.
There is a ‘nouvelle école’ (the word is from Denis Saurat) in Miltonic studies. It is represented among others by the Frenchman Denis Saurat, the Swede Liljegren, the German Mutschmann, the Americans Hanford, Greenlaw, Thompson and Baldwin, and is partly a reaction against critics like Sir Walter Raleigh, who had called, Paradise Lost a ‘monument to dead ideas’. The general tendency is to claim Milton as a genuine son of the Renaissance, as a Humanist in whom there are only some traces of the Puritan left.
This cannot be granted. Undoubtedly there are strong Renaissance influences in him. But first and foremost Milton takes his stand on the Bible. That is always the basis from which he reasons. This is typically Puritan. And he is more a man of the Old Testament than of the New. That is characteristic of the Puritans of the 17th century. So Milton is a Puritan with a Humanistic strain in him.
As to the influence of the Stoa on Milton, Saurat only considers it as an element in the formation of his mind, Liljegren proclaims him to be ‘less of a Christian than a disciple of Roman Stoicism’ and thinks that