Marleen De Vries
Published... and Exploited
On Eighteenth-century Best-seller Authors, Lying Publishers, Sneaky Privileges and Shared Authorship
Little is known about the way eighteenth-century authors and publishers agreed upon contracts or made other business deals. In most cases authors were ‘paid’ in copies of their own work, but their copyright was not protected. Especially poets were supposed to write for fame and glory and not for money. This arrangement seemed fair in case a work didn't sell, but what to do as an author when a work turned into a best-seller? Publishers on the other hand were not protected either. The only thing they could do was to obtain privileges for works they had invested money in, in order to prevent reprinting.
One of the most important Dutch publishers of original and translated literature in the second half of the century was Pieter Meijer (1718-1781), working in Amsterdam, a poet himself and famous for the circle of well-known poets around him. He entered history with a spotless reputation. A document written by one of his best-selling authors, Nicolaas Simon van Winter (1718-1781), reveals nevertheless that Meijer treated him and his even more famous wife, the poet Lucretia Wilhelmina van Merken (1721-1789), badly. The writers handed over their works to him without signing any contract, since their business relation was based upon friendship. This friendship, however, didn't prevent Meijer from giving the poets only very few copies of their works, concealing the print numbers and buying privileges on their works in secret. The friendship ended after twenty-five years when Meijer ‘corrected’ some poems of Van Merken without even showing or telling her. This article claims that these corrections were not made to improve the poems, but to secure Meijer's position as editor of the work. By 1775 it must already have been clear that publishers were likely to lose their copyright on works unless they were themselves the authors or editors.