Documentatieblad werkgroep Achttiende eeuw. Jaargang 1991
(1991)– [tijdschrift] Documentatieblad werkgroep Achttiende eeuw– Auteursrechtelijk beschermd
[pagina 27]
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R.H. Vermij
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[pagina 28]
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As for the letter to Du Puis ‘in which Tyssot disclaims authorship of the novel’ (strictly speaking, Tyssot does not disclaim anything; he just avoids the question), I do not think I misinterpreted it. It is exactly because of its character of badinage that I cannot take it seriously. Tyssot, indeed, was no man of false modesty and he liked making himself seem important. But that does not prove that he wrote the Voyages. On the contrary, such an attitude seems fully consistent with his not denying the authorship of a work he had not written. I do not see why we should not believe him when he tells us that he simply had read the manuscript before its being printed. As we know, circulation of manuscripts was common practice. Moreover. this assessment is in full accordance with what he says in still another letter, addressed to Van Keppel.Ga naar voetnoot3. Reading beyond the plain meaning of these letters, so full of irony and wit, is a very thorny bussiness and therefore hardly likely to provide conclusive evidence. Of course, the interpretation of a scholar like Rosenberg, so thoroughly acquainted with Tyssot's work, should be considered seriously. But interpretations have their limits. Rosenberg goes a bit far when, on the ground of his conviction that Tyssot could have written all things attributed to him, he simply waves aside the possibility of joint authorship, without even mentioning the pertinent and unequivocal testimony to the contrary of Marchand's Dictionnaire.Ga naar voetnoot4. In short, the case for Tyssot's authorship is extremely weak. I still feel there is no evidence at all that he wrote Jaques Massé. And, as long as nobody can point to another and more probable candidate for ‘le voyage imprimé a Bourdeaux’ mentioned in the letter by De Beyer, we have a rather strong argument that he did not. |
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