by any person having the economic or administrative power to do so, usually a man or a group of men who feel insecure in their high positions and threatened by criticism. Permit me at this point to add a word of caution to those inclined to claim that they possess absolute freedom of expression: do not mistake for genuine artistic freedom the court jester's freedom to amuse the reigning duke by somersaulting and ringing the fool's bells.
The very concept of freedom is inthinkable without its dialectical opposite: limitation - the limits always being set by the other fellow. Naturally, no one admits to being so egotistical as to want freedom just for his own person; all of us desire the greatest possible freedom for the greatest possible number of people. But as someone always does have to impose restrictions - and be he the most noble-minded representative of the most social-minded and democratic of societies - the question becomes one not merely of freedom from and freedom to, but of freedom for - freedom for whom, and who has the right to limit it and to what extent and for what purpose and for how long. This is the cardinal question in any social order, including socialism, and particularly in times of change and revolution.
However, this is only one aspect of the thing. Just as freedom necessarily is paired with its opposite, restriction, so is the desire for freedom paired with its opposite, frustration. Out of the interplay in the hearts of men of these two emotions, there may arise a force of explosive power. Delacroix in his painting of Freedom, a beautiful woman, leading the men to the barricades, or Beethoven, in the chorus of the prisoners rising from the dungeon in his opera Fidelio, have given artistic expression to this force.
Yet we are again caught in the web of dialectics. While no doubt political revolutions are made, among other good cases, for the sake of greater freedom for the oppressed, there hasn't been a political revolution anywhere that did not see itself forced to restrict some of the newly won freedom and to suppress a number of people, sometimes quite large in order the better to defend itself and its purposes and achievements. Restrict freedom so as to defend freedom? - that contradiction can be solved only by answering the question already posed: freedom for whom. But this much history has taught us: a political revolution depriving too many people of too many freedoms for too long a time tends to defeat its own revolutionary aims.
The complexities of our time have outdated the pat answers and the patent solutions. Unfortunately, this has led some people, especially among the young, to conclude that there are no answers at all and no solutions whatever. Since reality is frightening, they flee into fancy, since a workable Weltanschauung is hard to find, they take to fads, since enthusiasm leads to disappointment, they retire into indifference or even cynicism. There exists a subtle tie between the Hare-Krishna adherents mumbling their gobbledegook and the flip-outs muttering Fuck it, between the drug addicts squirting the stuff into their veins and the terrorists firing off their submachineguns. When the prevailing systems prove shoddy, violence rises: when philosophies turn into dogma, all ideas become suspect, when the true prophets fail, false ones will take their places.
Are we really going down the drain, then? True, whenever we look on this globe, we see moral and intellectual crises which have their roots in the possibilities of science and technology having far outstripped the possibilities of science and technology having far outstripped the possibilities of the various economic and political systems. But was there ever progress without problems, change without pain, revolution without struggle? The dilemma itself is a sign of hope. The world is in motion; perhaps we can help somewhat in pushing it in the right direction.
We in this case meaning the writers, especially those associated in the PEN. I am aware, of course, that considering the size of the forces in motion this is a little like asking a person to go with a pea-shooter after a fifty-ton tank. I am also aware of the diverse nature of the men and women who form the membership of the PEN and I know that, while agreeing on certain principles, we could at best agree to disagree on a great many other questions; nor do I think that writers, inside or outside the PEN, are in any sense an elite who, by virtue of their talents and their typewriters, could arrogate to themselves the right to proclaim panaceas for the ills of the world.
Looking back over the history of the PEN, we observe that it, too, has changed through the years and that this change, in a modest way, parallels, the huge changes we have noted. From groups of fellows working in the same craft and meeting irregularly at more or less social occassions, the PEN has grown into an organisation that has a certain moral weight both internationally and, through its chapters, within their respective countries; and spokesmen of the PEN, feeling the moral obligation that goes with that moral weight, have been known to raise their voices effectively and to good purposes. One reason for the growth of prestige of the PEN may be that in a number of countries the writer's word in general has gained some weight. This is a curious phenomenon as writers, by and large, are neither theoreticians nor politicians, neither prophets nor leaders. Basically, all they want to do is to make people laugh or weep; but in doing this, they happen to reflect in some way the world we live in. It is this reflection of the world in the writer's work which can aid people to see a little more clearly what goes on around them and to find answers to some of the questions puzzling them. Thus, quite innocently, the writer comes to provoke thought and himself becomes an agent of change, one of the moving forces, and his pea-shooter may turn into a quite formidable weapon, as attested to by the frequent efforts to censor him, to suppress him, to buy him off.
But censorship is no longer so potent; and it has become difficult to limit people's minds and to control their thinking. The electron, which jumps any barrier, outsmarts the smartest censor; the radio wave and the impulses dotting your television screen slide past any border patrol and any watch tower and make it impos-